Olivia Parker After graduating from Wellesley College with a degree in the History of Art, she began her career as a painter, and became involved in photography in 1970. Mostly self-taught in photography she makes ephemeral constructions to photograph and experiments with the endless possibilities of light.
She has had more than one hundred one-person exhibitions in the United States and abroad, and her work is represented in major private, corporate, and museum collections, including the Art Institute of Chicago, the Museum of Modern Art in New York, the Museum of Fine Arts, Boston, and the International Museum of Photography at George Eastman House in Rochester, New York. Portfolios of her work have been published in Art News, American Photographer, Camera, Camera Arts, The Sciences and numerous other magazines in the United States, Europe, and Japan.
There have been three monographs of Parker’s work: Signs of Life (Godine, 1978), Under the Looking Glass (New York Graphic Society, 1983), and Weighing The Planets (New York Graphic Society, 1987)……
At present she is working on two groups of studio images as well as the China project: A History of The Real and Object/Space. A History of The Real involves toys, games and teaching aids, as well as the stuff of ordinary still life intersecting with fragments of the history of science. In Object/Space objects become still life but they move out of traditional intimate space into broader areas of photographic space.